artist

Restaurant Surtaj, from the series "Canary", 2007 C-print, on Dibond, framed 60 × 90 in 152.4 × 228.6 cm Edition 1/1

Lieko Shiga

    Japanese photographer Lieko Shiga’s intimate portraits, set amidst mystical landscapes and interiors, integrate her personal experiences and grander mythologies into surreal and fantastic scenarios. “My photographs render everything into reality: they are a way of bringing something back to life,” she says. “You can talk about photographs in terms of ‘shooting’—to ‘shoot’ with a camera like you would shoot with a gun. However, for me, taking photos is not like shooting something: it’s like being shot. I am shot, and the entire timeline of my existence is resurrected in the photograph.” Shiga often places seemingly random objects alongside her human subjects, who strike inscrutable and sometimes anguished poses. She also introduces streaks of light and energy trails to the surface of her images, facilitating and revealing an even greater intrusion by the photographer.

    Related:

    2020

    Human Spring,
    Lieko Shiga

    work

    Photographer Lieko Shiga, who has lived in Tohoku since 2008, creates a compelling monologue in Human Spring 2020, her first foray into video. Just before daybreak, a young male figure emerges from the darkness of the black screen. The voice-over tells of her experience staying in temporary accommodation. Her neighbour experiences a type of mania with the arrival of spring, beginning a winding narrative that talks of spring both as a phenomenon with special significance to northeastern culture, as well as a concept that ruptures the worlds between living and dead. The figure on screen is slowly revealed with the break of day, always keeping an unrelenting, energised pace as he strides through a distinct coastal Tōhoku landscape—the ocean and land unambiguously separated by the high seawall.

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