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is a film program of moving image works spanning the last decade-plus by Naarm-based artist–filmmaker Eugenia Lim."}],"markDefs":[],"style":"normal"},{"_key":"8988618f5e75","_type":"block","children":[{"_key":"9368aa3c4a9f","_type":"span","marks":[],"text":"Free looped 75-minute screening running 12–5pm, 21 – 24 October 2026\n"}],"markDefs":[],"style":"normal"},{"_key":"0852c08bf06b","_type":"block","children":[{"_key":"baf5c4f7f257","_type":"span","marks":[],"text":"Flowers (2011), 3mins"}],"level":1,"listItem":"bullet","markDefs":[],"style":"normal"},{"_key":"9f826c092a2f","_type":"block","children":[{"_key":"563737990cfd0","_type":"span","marks":[],"text":"Yellow Peril (2015), 17mins"}],"level":1,"listItem":"bullet","markDefs":[],"style":"normal"},{"_key":"9a7860fd4f69","_type":"block","children":[{"_key":"9cdab2a694de0","_type":"span","marks":[],"text":"ON DEMAND (2019), 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"},{"_key":"9b20eef72520","_type":"span","marks":["em"],"text":"Flowers "},{"_key":"df77dde59750","_type":"span","marks":[],"text":"(2011) and "},{"_key":"fbfb98df1ca5","_type":"span","marks":["em"],"text":"Letter to Corhanwarrabul "},{"_key":"d65029db1a18","_type":"span","marks":[],"text":"(2023) to the epic metabolic landscapes and bodies of water of "},{"_key":"691fd2a876b3","_type":"span","marks":["em"],"text":"Metabolism "},{"_key":"a1dfb286e0ed","_type":"span","marks":[],"text":"(2023), the films bring an embodied, critical and poetic lens to contested places within so-called Australia. At times lyrical, absurd and cinematic, "},{"_key":"b244fe1ff82f","_type":"span","marks":["em"],"text":"Permutations "},{"_key":"54277a8fafe6","_type":"span","marks":[],"text":"offers immersion into Lim’s curious and consequential moving image practice. Stemming from an emplaced, relational and collaborative approach – from gig economy workers to sewage treatment plants – Lim’s films bring a tender, sensitive lens to places and communities that are otherwise unseen or undervalued by the status quo."}],"markDefs":[],"style":"normal"},{"_key":"e083e172c3e8","_type":"block","children":[{"_key":"d262a9645740","_type":"span","marks":["em"],"text":"Permutations "},{"_key":"2be1b1220dfe1","_type":"span","marks":[],"text":"marks the completion of Lim’s practice-led PhD and includes films created through this process alongside companion films selected by Lim from across her practice and archives."}],"markDefs":[],"style":"normal"},{"_key":"7fd2f2499049","_type":"block","children":[{"_key":"f61f21fda7ea","_type":"span","marks":[],"text":"Eugenia Lim is an artist, researcher and filmmaker whose practice is informed by histories – and counter-narratives – of migration, capital, labour, ecology and the politics of space. Lim’s works explore how the diasporic condition can engender ways of seeing in resistance to the colonial gaze. Based on unceded Wurundjeri lands, Lim has shown at the Tate Modern (GBR), LOOP Barcelona (ESP), Jinan Biennial (CN), Recontemporary (IT), Kassel Dokfest (DE), Museum of Contemporary Art (AU), ACCA (AU), FACT Liverpool (GBR), Substation (SG), AGNSW (AU), Kunsthal Charlottenborg (DK) and EXiS (KR). Lim is a Sidney Myer Creative Fellowship alumni and winner of Kunsthal Charlottenborg Spring’s 2022 Deep Forest Art Land Award. In 2024, Lim was one of 10 international directors selected for Berlinale Talents Short Form Station and is developing her first feature film."}],"markDefs":[],"style":"normal"},{"_key":"a152433bb526","_type":"block","children":[{"_key":"c5c4ee9f3b8b","_type":"span","marks":[],"text":"Supported by Next Wave and Composite. Lim’s PhD research was supported by the Commonwealth through an Australian Government Research Training Program Scholarship, Stuart Black Memorial Scholarship, Jim Marks Postgraduate Scholarship, and the Faculty Graduate Researcher Fund.\n"}],"markDefs":[],"style":"normal"},{"_key":"d339f1c19567","_type":"block","children":[{"_key":"624e652a14130","_type":"span","marks":[],"text":"\n"}],"markDefs":[],"style":"normal"}],"thumb":{"_type":"thumb","thumbCaption":"Eugenia Lim, Metabolism (2023), film still, digital video, colour, sound, 29:15. Cinematography: Tim Hillier. 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