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Centring the tension between First Nations and Western cartographic traditions, the work reflects on the ways private, state and national borders impose systems of division, ownership and control across land."}],"markDefs":[],"style":"normal"},{"_key":"306ceb5c5efc","_type":"block","children":[{"_key":"e6a1d8f37b910","_type":"span","marks":[],"text":"Ryan is a Yuin-Walbunja sound scholar and artist whose practice centres Indigenous ways of knowing through acoustic and spatial research. Hall is a Naarm-based musician and composer whose expansive electroacoustic practice explores the physicality of sound through amplification, microtonality, resonance and experimental performance techniques."}],"markDefs":[],"style":"normal"},{"_key":"ece63b36ba44","_type":"block","children":[{"_key":"3b0787bdc2c90","_type":"span","marks":[],"text":"This performance forms part of "},{"_key":"3b0787bdc2c91","_type":"span","marks":["strong"],"text":"Radio Composite’s 2026 commissioning program"},{"_key":"3b0787bdc2c92","_type":"span","marks":[],"text":", a series of new audio works by Hayden Ryan, Edwina Stevens, Kirby Fary and Joy Zhou. Developed for live presentation and broadcast from Brunswick Mechanics Institute, the commissions extend Radio Composite’s ongoing program of experimental music, sonic art and critical conversation, bringing artists and audiences together through live performance, transmission and collective listening."}],"markDefs":[],"style":"normal"},{"_key":"557fdd314415","_type":"block","children":[{"_key":"9a3c841f84890","_type":"span","marks":["strong"],"text":"Radio Composite"},{"_key":"9a3c841f84891","_type":"span","marks":[],"text":" is an artist-run internet radio station broadcasting from Brunswick Mechanics Institute, providing a platform for interdisciplinary practice, community-focused broadcasting and skills sharing."}],"markDefs":[],"style":"normal"},{"_key":"80cb3134f764","_type":"block","children":[{"_key":"1fabf74ac45f","_type":"span","marks":["strong"],"text":"Biographies: "}],"markDefs":[],"style":"normal"},{"_key":"8e548a7ba74d","_type":"block","children":[{"_key":"38e7af01760a","_type":"span","marks":["strong"],"text":"Hayden Ryan"},{"_key":"7e31de61332d","_type":"span","marks":[],"text":" is Yuin-Walbunja sound scholar and artist from the southeast coast of New South Wales, currently residing in Naarm (Melbourne, Australia). His sound work centres Indigenous ways of knowing through acoustic and spatial practices.\n\nHayden is a graduate of New York University’s Master of Music in Music Technology (2022-24); a 2025 resident of the Helsinki Interntaional Artist Programme (HIAP); and currently a Vice-Chancellor’s Indigenous Pre-Doctoral Research Fellow at RMIT University (PhD; Associate Lecturer). His research explores how sonic practice and acoustic space influence ways of understanding the environment, history, law and positionality amongst Indigenous cultures - blending signal-processing, acoustic analysis and creative practice with Indigenous research methods to produce a body of work that encapsulate the intricate ties between First People and sound."}],"markDefs":[],"style":"normal"},{"_key":"710066a7e92c","_type":"block","children":[{"_key":"abffc9c163bb","_type":"span","marks":["strong"],"text":"Rosalind Hall"},{"_key":"d0aab1898d43","_type":"span","marks":[],"text":" is a Naarm (Melbourne) based musician and composer working across\ntheatre, film, performance and installation. Her spatial and expansive work explores\nthe physicality of sound using amplification, microtonal movement, beating\nfrequencies and reverberation. Rosalind plays with pushing her electronic and\nelectroacoustic instruments into unfamiliar sound territories by way of sampling\ntechnology and experimental playing techniques, creating new and imagined sound\nworlds.\nRosalind has studied classical, jazz and improvised music as well as production and\ncomposition. She has a Bachelor of Fine Arts (Sound Art) from RMIT, Diploma of\nEducation from La Trobe and currently teaches within the SIAL Sound Studios at RMIT,\nmentors at VCA and facilitates workshops for young people at Arts Centre Melbourne.\nSelect credits include Troy (Malthouse Theatre), Rewilder (Dir. Cameron Nelson), Mars\nFutures (Dir. Hannah Moore), Monsters (Malthouse Theatre and Stephanie Lake\nCompany), KKUM 48 (Vurt label), Sonorous - The MESS Commissions (The\nSubstation), Drift (Important Records), Chapel of Bones (with Jim Denley, Mona\nFoma), Experiments in Freedom (with Michael Candy, Melbourne Festival), Body of\nPeople (Science Gallery Melbourne), and People’s Puppet Project (Snuff\nPuppets/Echigo Tsumari Festival)."}],"markDefs":[],"style":"normal"},{"_key":"ceaa233e439d","_type":"block","children":[{"_key":"7ad92e3c6edc0","_type":"span","marks":[],"text":"Website: rosalindhallsound.com\nBandcamp: rosalindhall.bandcamp.com"}],"markDefs":[],"style":"normal"}],"thumb":{"_type":"thumb","thumbImage":{"_type":"image","asset":{"_id":"image-4d1aee809e5e96552e6158b3aef464632c2feae8-3420x1721-jpg","_type":"sanity.imageAsset","_rev":"Rjpeon0RPqEDfB5i5jLPrW","_createdAt":"2026-08-21T07:01:50Z","_updatedAt":"2026-08-21T07:01:50Z","assetId":"4d1aee809e5e96552e6158b3aef464632c2feae8","extension":"jpg","metadata":{"_type":"sanity.imageMetadata","blurHash":"MWIrEH?aIAaxxu~qt7RPWBof9FRjj[fQof","dimensions":{"_type":"sanity.imageDimensions","aspectRatio":1.9872167344567113,"height":1721,"width":3420},"hasAlpha":false,"isOpaque":true,"lqip":"data:image/jpeg;base64,/9j/2wBDAAYEBQYFBAYGBQYHBwYIChAKCgkJChQODwwQFxQYGBcUFhYaHSUfGhsjHBYWICwgIyYnKSopGR8tMC0oMCUoKSj/2wBDAQcHBwoIChMKChMoGhYaKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCj/wAARCAAKABQDASIAAhEBAxEB/8QAFwABAQEBAAAAAAAAAAAAAAAABwACBP/EACAQAAICAwACAwEAAAAAAAAAAAECAwQABRESIQYiMVH/xAAVAQEBAAAAAAAAAAAAAAAAAAAAAf/EABYRAQEBAAAAAAAAAAAAAAAAAAABEf/aAAwDAQACEQMRAD8AQK93WxSF5N2TIT3y8R3ucXyfa1JqZRt08hQhkLAcJwMtTSjYKBI4HfwMczupZDerAuxHD67kkKQbO1qLIFm2EErgD7MPeWBt2RzZfrt+/wByy4P/2Q==","palette":{"_type":"sanity.imagePalette","darkMuted":{"_type":"sanity.imagePaletteSwatch","background":"#3c4443","foreground":"#fff","population":0.22,"title":"#fff"},"darkVibrant":{"_type":"sanity.imagePaletteSwatch","background":"#45453e","foreground":"#fff","population":0,"title":"#fff"},"dominant":{"_type":"sanity.imagePaletteSwatch","background":"#c8c8c2","foreground":"#000","population":5.74,"title":"#fff"},"lightMuted":{"_type":"sanity.imagePaletteSwatch","background":"#c8c8c2","foreground":"#000","population":5.74,"title":"#fff"},"lightVibrant":{"_type":"sanity.imagePaletteSwatch","background":"#c0c0b9","foreground":"#000","population":0,"title":"#fff"},"muted":{"_type":"sanity.imagePaletteSwatch","background":"#7c7b7a","foreground":"#fff","population":4.74,"title":"#fff"},"vibrant":{"_type":"sanity.imagePaletteSwatch","background":"#868678","foreground":"#fff","population":0,"title":"#fff"}},"thumbHash":"JPgNBIBbl3iPd3hyh3vPnvBveQ=="},"mimeType":"image/jpeg","originalFilename":"IMG_6424.jpg","path":"images/53esc9ue/production/4d1aee809e5e96552e6158b3aef464632c2feae8-3420x1721.jpg","sha1hash":"4d1aee809e5e96552e6158b3aef464632c2feae8","size":2303258,"uploadId":"1d8e1dd37e69a0de2c5a2f8e358de929f3cb96cd","url":"https://cdn.sanity.io/images/53esc9ue/production/4d1aee809e5e96552e6158b3aef464632c2feae8-3420x1721.jpg","id":"image-4d1aee809e5e96552e6158b3aef464632c2feae8-3420x1721-jpg","children":[],"internal":{"type":"SanityImageAsset","contentDigest":"3ea4a9ad879752eb1f8b19765853a546","owner":"gatsby-source-sanity","counter":62},"parent":null}}}},"works":null}},"staticQueryHashes":["1304968544","1358126200","2278459871"]}