artist

Komori Haruka + Seo Natsumi. Photo: Tomomi Morita

Komori Haruka & Seo Natsumi

    Video artist Haruka Komori (b. 1989, Shizuoka) and painter and writer Natsumi Seo (b. 1988, Tokyo) began their artistic collaboration since working together as volunteers in the wake of the East Japan Great Earthquake in March 2011. Starting in 2012, they worked together living in Rikuzentakata, Iwate, for three years. In 2015, the duo founded the organization NOOK, to keep records of collaborating with local communities, and moved to Sendai, Miyagi. Komori + Seo currently create and exhibit works drawing upon the landscape and words of local residents, organizing and carrying out events for conversation. Their exhibitions so far include "Compilations of Memories and Records", Yokohama Civic Art Gallery, Yokohama (2017), "Kibo no Uta to Mai o Tsukuru - Tokyo Sudara 2019" [Creating Songs and Dances of Hope - Tokyo Sudara 2019], Lifestyle Design Center Gallery, Tokyo (2020), and the 12th Yebisu International Festival for Art & Alternative Visions, Tokyo Photographic Art Museum (2019). Their traveling solo exhibition "under the wave, on the ground" was held across 10 locations in Japan including Rikuzentakata and Kobe.

    2019

    Double layered town / making a song to replace our positions,
    Komori Haruka & Seo Natsumi

    work

    Natsumi Seo and Haruka Komori's Double layered town / Making a song to replace our positions 2020 follows four visitors in their 20s who listen to the stories of townspeople who lived through the disaster. They walk around areas under construction—ocean views obstructed by the new and much higher seawall (tripled in height all along the once tree-lined coast); streets looking over scaffolding and hills of new earth, and the constant sound of heavy machinery. In people’s cramped temporary living spaces the visitors listen to intimate stories of loss and trauma. A conversation at the end of Double-layered town reveals that the young people are yet to decide what to do with the stories they have heard. Like unwitting denshōsha (custodians of oral histories), a term used primarily for the keepers of Hiroshima and Nagasaki atomic bombing survivor stories, they now feel a heavy obligation to honour the survivors’ accounts.

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